克里米亚的宝藏 Itwasafatefulcoincidencethatin2014,女教师电影justwhentheAllardPiersonMuseuminAmsterdamwasstaginganexhibitionofCrimeanartworks,克里米亚的宝藏Russiaannexedtheregion.Sonowthequestionarisesofwhoshouldtheartworksbereturnedto?TothemuseumsinCrimeawhohadbeensokindastoloanthemout?OrtoUkraine,perhaps,thecountryCrimeabelongedtobeforetheannexation?Whatshouldthemuseum’sdirectorWimHupperetzdo?VeterandocumentaryfilmmakerOekeHoogendijk(TheNewRijksmuseum)isjustthewomanforthejobwhenitcomestoturningthiscomplexissueintoanexcitingfilm,andfindingthehumandimensioninatangledjudicialtug-of-war.Political,emotional,personal,cultural,andhistoricalinterestsalljostleforpositionaslawyersarguingfromapurelyjudicialperspectivepresenttheircaseanddistressedmuseumdirectorsfacebiggapsintheircollections.WhilearchaeologistsinCrimeacontinuetheirgroundbreakinghistoricalwork,itlooksliketheirpreviousfindsaregoingtobere-buriedintheNetherlands—shutofffromtheworldinawarehouse,theyareperhapsthebiggestlosersinthisconflict.薄时衍满意地瞥了一眼她耳珠上的咬印,坐上锃亮的悍马扬长而去。出院后,童瑞轩本想立即回公司看看,不过,在听到出租车司机一句无心之话,才觉得不能就这样回去。与顾嘉洲江染染同行的一个男人走了过来,给辛冉冉递了杯茶“医生,谢谢你。”说完,对刘嬷嬷笑道“刘嬷嬷记住了,她们哪个走了,记得把名字留下。”
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