盲目的丈夫们
剧情简介
盲目的丈夫们 Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,盲目的丈夫们883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,暖暖在线观看免费观看高清3045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.张木觉得爱情很是奇妙，只一眼就觉得这个人是自己的一生认准的了，哥哥以为她只是被江城的长相吸引了，其实不然，她刚见到江城时只是被他的长相吸引，就然后被他浑身的气质所吸引，在看到他面对哥哥时的平静无波。舒颜重重的跌落在青砖地上，钻心的疼痛袭来，脑子里一片空白。身后的追兵就在这个时候追了上来，瞬间包围住了苏璃茉和男子，身下的马嘶鸣一声，不得不停了下来。这点小伤他还不放在眼里，倒是看到霍敏熙眼眶泛红、不住哽咽，仿佛很为他难过似的，他心口泛酸，大感快慰，将人揽进怀里柔声安慰。
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