麦吉的农场5.4
类型： 恐怖电影 辽宁省 2024-09-02
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,从镜子里看我怎么c你 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
湘囊一抖，吓了一跳，看来今天是真的被程落筱气着了，今天说的话哪有大家闺秀的样子。详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,从镜子里看我怎么c你 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
姜司朗昨晚没回家，按照惯例，他今晚是会回去的，正好，她也要回去收拾行李。左辰夜沉默半响，缓缓启唇“虽然这样说很抱歉，但我总感觉记忆里自己喜欢的那个人……不是你。”十几分钟后，王浩打车来到了凯旋门大酒店，看见了穿着一身保安服的高大壮。上一世，在大儿媳凌娓的拉拢下，墨妙薇倒是跟芯滢很是臭味相同，一样的张扬跋扈，一样的蛮不讲理，一样的自私和愚钝。
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