类型: 电视剧 湖北省 2024-12-17
主演: 未知
导演: 未知
90년대 한국 사회를 뒤흔든 그러나 지금은 잊혀진 지존파 사건을 되짚으면서 우리 사회를 들여보게 하는 영화. 지존파에서 출발해 성수대교 붕괴,非虚构日记 삼풍 백화점 붕괴,看x羞羞片的网站91入口 5.18 주모자 처벌 문제 등으로 유연하게 흘러가는 영화는 픽션 보다 더 픽션 같은 논픽션 이야기를 품은 한국 사회를 ‘기록’한다. What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow. Director Jung Yoonsuk’s Non-fiction Diary “records” the records by summoning forgotten incidents, utilizing interviews and the media’s data screens. This record is a “report”on contemporary society as well as a “record of the remembrance”. (HONG Hyosook) 18th Busan International Film Festival Documentary Competition
她得意笑道“宋茉茉,听说你跳楼了,怎么想到这么蠢的办法呢?”详情非虚构日记
90년대 한국 사회를 뒤흔든 그러나 지금은 잊혀진 지존파 사건을 되짚으면서 우리 사회를 들여보게 하는 영화. 지존파에서 출발해 성수대교 붕괴,非虚构日记 삼풍 백화점 붕괴,看x羞羞片的网站91入口 5.18 주모자 처벌 문제 등으로 유연하게 흘러가는 영화는 픽션 보다 더 픽션 같은 논픽션 이야기를 품은 한국 사회를 ‘기록’한다. What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow. Director Jung Yoonsuk’s Non-fiction Diary “records” the records by summoning forgotten incidents, utilizing interviews and the media’s data screens. This record is a “report”on contemporary society as well as a “record of the remembrance”. (HONG Hyosook) 18th Busan International Film Festival Documentary Competition
爷爷打量着那只白皮子一百年一白皮,原来是一只修炼百年的黄皮子精,能够修炼成白皮也属不易,为何却要害人呢?纲手和青木不由循声忘了过去——只见卡卡西目光呆滞地盯着止水,眼神中尽是难以置信。“见过丞相,在下是家父的第三子,家父与丞相渊源颇深,又是手足之交,不如放小子一马,日后小子定当效犬马之劳。”不用了,有事就快说,我还忙着呢。不过碧菲雪却一心系在忧身上,根本就注意到顾容信是和意图,然而就是知道了,她也会直接了当地拒绝,不给他分毫反驳的余地。Copyright © 2014-2024