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麦吉的农场8.3

类型: 恐怖电影  内蒙古自治区  2024-04-11

主演: 未知

导演: 未知

A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,沙沟子的孽债老牛耕地书本 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.

如果她能进华盛集团,不但可以解决生存问题,还可以借机打听自己孩子的下落,接近慕亦辰告诉他五年前的真相,何乐而不为?详情

麦吉的农场

高清  - 在线播放,无需安装播放器

剧情简介

麦吉的农场 

A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,沙沟子的孽债老牛耕地书本 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.

周晓眼圈红红的“阿妙,她们是不是都欺负你,你是不是过的不好?”边若惜一怔,恍然想起自己早已不是苏灵犀,霎时间小脸通红,双手绞在一起,起身站定朝萧天宇连连鞠了好几个躬。在苏家真正的千金找回来之后,苏燃就遭到了冷落,本来就骄纵叛逆的性格,也越发让苏家人厌恶。半睡半醒间,凌骁好像突然从楼上下来,就坐在她身边帮她把没完成的程序写完,还亲了她一下。

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