机器5.8
类型： 最近更新 云南省 2024-06-01
主演： 未知
导演： 未知
To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory,中文乱码字幕无线观看2024 man and machine seem to have fused into one being. It is dark and dank,机器 and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
陆依然有些心虚和丢脸，毕竟在蔺夜泽面前装傻充愣这么多年，谁知道刚一离婚，就被人在酒吧里逮了个正着，她这么多年辛辛苦苦维持的形象全都没了吧？详情
机器
剧情简介
机器
To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory,中文乱码字幕无线观看2024 man and machine seem to have fused into one being. It is dark and dank,机器 and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
“以前我和我妈妈在一起吃饭的时候，我们总是说说笑笑的，从不在意那些，吃的好开心呢！”，那女佣飞奔离开，很快就拿着一只黑色丝绒盒子和一面镜子过来。楚昕脚步踉跄地走在大街上，她打算把身上的酒气吹散后再回去。沈瑶舟诧异的看着傅生寒，虽然她是来和他相亲了，但好像也没有到结婚这一步吧。
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