麦吉的农场6.9
类型： 爱情电影 重庆市 2024-02-13
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,真实呦女 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
只是没想到，袁武竟是起的比她还早，她刚推开房门，就见袁武正在院子里磨刀，听到身后的动静，男人并未回头，只道了句；“是不是吵醒你了？”详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,真实呦女 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
自此一别，不知何时才能相见，城楼上一片悲伤之情，看着渐行渐远的队伍，皇上眉头紧锁，袖袍中的拳头，指尖刺破了手掌。想了想，还是打消了这个念头，她只是小县城里一个很普通的电视台主持人，也没什么让商牟楠可图的东西。如果容小柒知道了肯定会说我现在本来就是一只狐狸精呀，说的好像你不是一只狐狸似的！只是她此刻已经没什么力气了，赵磊伸手就把她横抱起来丢到了沙发上。
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