从今天到明天 Based on an unknown Schnberg opera from 1929,吃饭时某处紧密连接在一起 From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man,从今天到明天 while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danile Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schnberg’s atonal score, performed here by 70 musicians. That Schnberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schnberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schnberg canon—and the film such a challenging and intriguing experience.想到这里,她低头看了看自己一直戴在身上的蓝色水晶。好像……百灵想说小姐你戴上这些快点我看看,她不知道自己造了什么孽,想哭,不敢哭沈钧看向郁柳时,双眸写满温柔“没事,不会有事的,乖,别哭,我会心疼的。”当其时,天下政治昌明,百姓安居乐业,神州处处祥瑞不绝,渐渐有了一副盛世气象。
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