类型: 动作电影 浙江省 2024-03-02
主演: 未知
导演: 未知
90년대 한국 사회를 뒤흔든 그러나 지금은 잊혀진 지존파 사건을 되짚으면서 우리 사회를 들여보게 하는 영화. 지존파에서 출발해 성수대교 붕괴,非虚构日记 삼풍 백화점 붕괴,菠萝蜜视频播放器 5.18 주모자 처벌 문제 등으로 유연하게 흘러가는 영화는 픽션 보다 더 픽션 같은 논픽션 이야기를 품은 한국 사회를 ‘기록’한다. What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow. Director Jung Yoonsuk’s Non-fiction Diary “records” the records by summoning forgotten incidents, utilizing interviews and the media’s data screens. This record is a “report”on contemporary society as well as a “record of the remembrance”. (HONG Hyosook) 18th Busan International Film Festival Documentary Competition
赵蕴闻言霍的笑了,笑的周珠儿和王丁后背发寒,她似笑非笑的看向王丁,“王管事,你嘴里的这个夫人,不是我娘这个当家主母,而是周珠儿,周夫人吧。”详情非虚构日记
90년대 한국 사회를 뒤흔든 그러나 지금은 잊혀진 지존파 사건을 되짚으면서 우리 사회를 들여보게 하는 영화. 지존파에서 출발해 성수대교 붕괴,非虚构日记 삼풍 백화점 붕괴,菠萝蜜视频播放器 5.18 주모자 처벌 문제 등으로 유연하게 흘러가는 영화는 픽션 보다 더 픽션 같은 논픽션 이야기를 품은 한국 사회를 ‘기록’한다. What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow. Director Jung Yoonsuk’s Non-fiction Diary “records” the records by summoning forgotten incidents, utilizing interviews and the media’s data screens. This record is a “report”on contemporary society as well as a “record of the remembrance”. (HONG Hyosook) 18th Busan International Film Festival Documentary Competition
“你少说两句,儿子刚回来,你尽说些没用的。”陈兰芳显然是不想让儿子知道这些事情,急忙开口阻止,面容上满是责怪的神色。戚铖浲看了眼站在他们面前就连手脚都不知道该放哪里的男人,漫不经心的问道“刚才里面穿黑色皮裙的女人是干什么的?”“你,你…,你不要吓我,我是不会被吓倒的。”郭青青嘴巴虽这么说着,但听那直打哆嗦的声音,以及慢慢接近的脚步声,我就知道她朝我走来了。一瘸一拐地走了过来。男人身上的西装丝滑,擦在她的肌肤上,很快就泛起了一层细细密密的小点。Copyright © 2014-2025