麦吉的农场7.9
类型： 最近更新 湖北省 2024-06-30
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,狠狠永久综合日韩欧美 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
只有几次在夜深人静时，她才听见睡梦中的好友叫过“敬霆”。详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,狠狠永久综合日韩欧美 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
听到这话，顾月白的脸却是沉了下去“陆浅恒，我说过了，嘟嘟和你没有任何关系，我是不可能让她叫你爸爸的。”自己招架得都有些累了，怎么这小年轻还有力气啊，阿龙心里苦逼，对方是什么怪力啊。“慕助理，这个我实在是找不到医生，回来的路边却看见几个人影鬼鬼祟祟的抬着一个麻袋，就上去打跑了她们才发现麻袋里是一个女人，就把她带回来了。“对不起了，小兄弟，还请见谅！”薛亮终于抢到了说话的机会，有些尴尬的对方坤说道。
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