从今天到明天 Based on an unknown Schnberg opera from 1929,爱乃娜美吧 From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man,从今天到明天 while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danile Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schnberg’s atonal score, performed here by 70 musicians. That Schnberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schnberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schnberg canon—and the film such a challenging and intriguing experience.“得了,也就是你,换个人这样对我说,我特么肯定一个大嘴巴子抽过去了。”“嘿嘿,校花,没有什么可是的,这事情就这么决定了!”李东懒洋洋躺在炕头上“对了,校花,我哥都不在了,你现在是不是没有什么收入了?”半晌,沐昧听见司空珩问“你可看到,那套衣服的花色布料?”夜离宸只觉得心累,他如今不仅和云染染有了关系,还有求于她?这疯女人还不嘚瑟上天!
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