麦吉的农场6.1
类型： 爱情电影 新疆维吾尔自治区 2024-01-21
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,新农夫网站导航 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
桓玄皱了皱眉头说道“我王，如果只是整个学校还好说，要是在从外面进来大片怪物，恐怕有些乏力啊。”详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,新农夫网站导航 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
而且那种撕心裂肺的痛感与天崩地裂的绝望怒恨是那样的清晰，是那样的痛彻心扉。说话间，这边刘梦涵也换下了衣服，也许是不大满意，她并没有购买。正打算挑选其他款式，旁边的纪流年立即拉了拉她的衣袖“我看到旁边的巴宝莉来了不少新货，要不我们去那边看看？”看着何宛如脸上的泪水，钟以琛心中一疼，抬起手替她抹去，“傻瓜，我怎么可能会不要你，听谁说的傻话。”钟以琛的声音很温柔，出口的声音就像世界上最温柔的情话。其中一人拿出手机打电话请示，“严总，她醒来了，说来了大姨妈，现在需要姨妈巾。”
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