漫长的告别1971 It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the Long Good Bye she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,漫长的告别1971and,年轻的妈妈观有限中字 again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for (c)谷主。土莲花百年才开一次,一次只开一朵,这么珍贵的东西怎么能给一个外人用。橙衣女子抗议道。如果要是祝安师傅在场的话,看到祝安此时的表情,肯定会提高万分警惕,因为他知道,祝安一旦露出这个表情,肯定没好事!他可没在祝安露出这个笑容时少吃亏!与此同时,在我的身上,有浓烈的,草灰焚烧的味道,延伸出来,让我的肚子里,也传出剧烈的妊娠反应,忍不住呕出声来。佘牧野终于在电/话那头的“喂。喂”声中回过神儿来,连忙应道“小爷自有小爷的法子,反正明天一早我就回去!”
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