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法斯宾德:无索求地爱8.8

类型: 香港电影  黑龙江省  2024-12-06

主演: 赖纳·维尔纳·法斯宾德 伊尔姆·赫尔曼 哈里·贝尔 

导演: 未知

Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,法斯宾德:无索求地爱 as well as a body of unique,天美影院免费入口 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015

“假如生活欺骗了你,你一定要相信未来,相信在不久的将来,一切都会好起来的。你还年轻,一切都会好起来的。”详情

法斯宾德:无索求地爱

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剧情简介

法斯宾德:无索求地爱 

Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,法斯宾德:无索求地爱 as well as a body of unique,天美影院免费入口 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015

高瑶说道“不错,陈玄,你闯大祸了,吴少可不是你这个乡巴佬能打的,你的狗命如果还想留着见到明天的太阳,最好现在就给吴少跪下,求他原谅!”西装革履的律师,正大声说道“乔许老先生突发心脏病过世,没能留下遗嘱。所以他唯一的女儿——乔希小姐,拥有他名下产业的全部继承……”“我哪来的钱?”何小芳沉下了脸,“姜凡,我弟弟也快到了结婚的年纪,他追求女生怎么了?你作为姐夫,难道不应该帮他吗?你就这么瞧不上我弟弟?看来,我在你心里,连二十万都值不上,既然这样,不如分了算了!”“我看不像,我上次整理娱乐圈一线明星的名单时候没有看到她的照片。”

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