一切安好 Amegalithrisesfromasandydesert–orrather,一切安好ascalemodelofsuchalandscape.“Iamthearchive”,爱经电影saysayoungfemalevoicewhileominousstringmusicnailsviewerstotheirseats.ThisopeningsetsthestageforthenarrativeandfigurativelanguageofRithyPanh’sdensemnemonicessaywhichusesstunningdioramastotellatwenty-firstcenturydystopianstory.Afteracenturyofgenocidalideologiesanddestructivespeciesism,animalshaveenslavedhumansandtakenovertheworld.Inawaveofhope,thestatuesofthepasthavebeenremovedbutnewonesarebeingerectedtosuppressthewillofthepeople.Thisisnowaplanetofapes,boarsandlions,andazoologicalrevolutionisreversingandrecreatingtheatrocitiesofthe20thcentury.Asanimalfigureswatchthefilmarchivesofourworld,itfeelsasifLumirehasbeentransportedintoafilmbyMlisorWillisH.O’Brien.Weareallwellawarethathistoryrepeatsitselffirstastragedy,thenasafarce.Thetimehasnowcomeforthisfarce,inwhich“politicallanguageinhabitsourdreamsandconsumesus”,toallowthepossibilityofa“gracefulandtenderinsubordination”toemerge.,“这阵法容彻同我说过,出去的法子有些繁琐,但总要比你强行破阵来的快。”唐澄再一次深呼吸,一遍又一遍告诫自己,再忍一忍吧,反正已经忍了这么多年了…季央躺在床榻上,体内因为朱砂泪发作而席卷上来的痛如剔骨凌迟,疼的她满身冷汗。“娘娘!他们内务府的人简直是欺人太甚,奴婢拿着娘娘的手令前去,竟然还被他们折辱!说什么只认中宫的牌子,不认什么协理六宫的贵妃,名不正言不顺!”
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