麦吉的农场6.8
类型： 香港电影 湖南省 2024-03-27
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,从身后抓住那对大白兔子 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
陈家能做起丝绸生意，尤其是近几十年生意突飞猛进，成为北镇县的大户，完全是因为罗家在背后照应着。详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,从身后抓住那对大白兔子 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
马三金摇头晃脑地说“风流才子愧不敢当啊。对了贤弟，用着腰带如何逃出生天呢？”“娘娘韶华正盛，岳美人是娘娘亲自过目送上去的，美则美矣，毕竟流于小气，不若娘娘冠压群芳。”两个小孩子垂头丧气回家的时候，迎接他们的却是夏子星那可怕到极点的眼神，还有她手上的那根专门用来教训他们的棍子。心情不怎么好，口气更不怎么好，“我不觉得在眼下这个时间，有哪个脑残会来敲我的门，打扰我的睡眠！”
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