麦吉的农场7.1
类型： 韩国电影 青海省 2024-08-17
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,精品欧洲永久 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
秦焘拍了拍刘博文的肩膀，有些苦笑着说“别自责了，你已经尽力了。有些人，有些事，该失去的，就不会再回来的。无论我们多努力地去追，他们都会离去。”详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,精品欧洲永久 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
清醒点吧，黎音，想想他的背叛和不信任，想想你还没见面的孩子。穆冰心里暗自纳闷道“这些人是在干什么呢？难道说是方承宁丢了什么东西吗？”他知道，就算自己拿了全校第一的成绩，家里也不可能会帮他买这种级别的超级跑车。“走啦梦雨，时间都不早了，赶紧去古玩市场帮奶奶挑礼物。”郭超看了看腕上的浪琴表，按了下手上的宝马车钥匙。
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