漫长的告别1971 It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the Long Good Bye she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,性暴力档案之三奸and,漫长的告别1971 again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for (c)但是当新走出去之后,却发现外间一切如旧,什么东西也没有多,但那股香味却越发的浓烈了。刀,是好刀,寒光闪闪,在四周灯光的照耀下浮现出冰冷无比的金属光泽。应齐看着几近崩溃的谢氏,十分惊骇。这个夫人,原本是温和的、大度的、善良的,可是现在……这半年来她处处针对阮祺萱,他想到的是她嫉妒阮湘悠,脸色立刻阴沉了下来。“你现在还欠着一屁股债,哪儿来的钱把小月亮送进仁和医院?”
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