麦吉的农场8.9
类型： 韩国电影 西藏自治区 2024-06-26
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,日韩大片红桃 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
说罢，苏小米就听到咔哒一声脆响，想也知道应该是欧明决把刚刚买的宵夜给丢垃圾桶里了。详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,日韩大片红桃 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
“正有此意。”二话不说那子家的紫衣男子直接拍出一掌，在空中形成一张巨大的光手掌，气势磅礴直劈而去。此时的屠夫还没从之前的震惊中缓过来，于是并没有开口说话，只是直愣愣的看着林凌。春荷这人脑子反应的一向比较迟钝。昨晚她一觉睡过头，今早听春香说青晨一夜未归，她心里就已经担心起来了。开玩笑。要是真过来了，那她不就露馅了吗。想到自己当时哄他们说自己找了一份在外地的工作，心里就忐忑不已。只能暗暗祈祷自己早点红起来，这样也就不用隐瞒了。
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