这是韩国最感人的电影之一:77岁哑巴外婆,用无私的爱让观众泪崩#我的外婆 Arare,神马影院午夜片hystericalgemfromearlySovietcinema.CHEMIBEBIA(MYGRANDMOTHER)isaGeorgianavant-gardeslapsticksilentcomedythatwasbannedintheSovietUnionforalmost50years.Andit’sprettyeasytoseewhy.WhereaslaterGeorgianfilmmakersbecameratheradeptatslippingpoliticalcriticismunderthenosesoftheSovietcensors,这是韩国最感人的电影之一:77岁哑巴外婆,用无私的爱让观众泪崩#我的外婆thisfilmendswithacompletelyunambiguousrallyingcallforthedeathofbureaucrats.LotsofthecreativetechniquesoneassociateswithearlySovietcinemaareondisplayhere,buttheyarefilteredthroughasieveofearlyAmericanslapstickandusedmostly(andmostsuccessfully)forcomedy.ImagineHaroldLloydstarringinTerryGilliam’sBRAZILandyou’llstarttogetanideaofwhatMYGRANDMOTHERislike.It’shilarious,andhistoricallyit’sinterestingtowatchinthatit’sjustaspoliticallyobviousasanyotherearlySovietfilm,butinanentirelydifferentway.Imaginative,innovative,amazing!Thisisawonderfulfilmthatworksonsomanylevels.Asafarce,it’suptherewithCharlieChaplinorMonsieurHulot.It’sreallyfunny.Thescoreisabsolutelybrilliant.Theactingistop-notch.Asasatireoncorruptionandbureaucracy,ithitsthenailonthehead.Theelementsofsurrealismworktremendouslywellinacting,setsandscenes:justextremeenoughtomakethepointwellwithoutlosingtouchwiththeunderlyingreality.Throughallthis,keythemesaremaintained.Thedirectoralsoplayseffortlesslywithgender,ageandhierarchicalroles,switchingandunderminingthemrelentlessly.Innovativefilmtechniques,too,areusedexceptionallywell:puppetry,collage,distortionplusmanymore.Onecoulddoubtlessseethisfilmadozentimesandstillfindsomethingnew.结界即将消失,他知道此时已到任务的关键时刻容不得他在谈什么情怀,有些事冥冥之中自有天定,不是他一腔热血能改变的,天命难违亦不可违,此刻的他能做的只是尽力完成明境交代的任务,还有…活着。“要不是你父亲,以你这上不得台面的野丫头身份,能嫁到顾家去,不知是几辈子修来的福气……”吴少峰哈哈一笑,说道“先去沙滩上走走!——我来天海市一年了,都没去过海边呢!”“我们的情况你也知道,每个月除去房贷和生活开销,剩不了什么钱,存款也就几万块,谭峻没说怎么分,随便他吧。”
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