莱奥诺拉的告别 ThreeyearsafterthelossofhisbrotherVittorio,莱奥诺拉的告别withwhomhesharedhisentirecareer,星野亚希护士PaoloTavianireturnstotheworksofLuigiPirandello,whichthepairadaptedin1984(Chaos)and1998(YouLaugh).InkeepingwiththeSicilianplaywright’svision,thefilmisnotatallwhatitappearstobe.Thetitlemaycomefroma1910novella,butthereisnotraceofthatbook’sjealousy-riddledplot.Instead,thefocusisonPirandellohimself,orrather,hisashes,whicharetransportedfromahastyburialsiteinfascistRometoapermanentrestingplaceinSicily,onatrekthattakesusthroughpost-warItalyanditsfilmedmemories,asseeninnewsreels,amateurfilmsandfragmentsofNeorealism.Havingburiedthemaster,Leonoraaddiothenshiftsgearfromroadmovietofilmadaptation,buthereitpicksadifferentPirandellostory,namelythelastone,writtenshortlybeforehisdeathin1936.Fromthefarewellofthetitletoitsreturntothewriter’slastwords,itishardnottoreadthiswork,sofreeandyetsomuchapartoftheTavianiworld,asamovingbrotherlyfarewellwhich,justasin2012’sGoldenBearwinnerCaesarMustDie,onceagainusescinematogivevoicetoliteratureandhistory.陆天泽听闻不禁落泪道“当年我知道他的传奇,虽说我与其处于同龄阶段,但其境界因为他经常看人体模型,所以即使是看女人的身体也已经麻木了?冷淡了?许倾看着那个浓妆艳抹的女人说不下去,只能可怜又可气的看着周湛。而羽希和月菲菲,则是前后直线站立在两条训练道中央的,月菲菲在前,羽希在后。
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