麦吉的农场5.9
类型： 综艺节目电影 河南省 2024-04-08
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,装睡觉让儿子做 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
这些年，裴晏尘不止一次从旁人的口中听到她的名字，以往他的心里都没有什么波澜，但这一次，他却由衷的产生了几分腻烦。详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,装睡觉让儿子做 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
不管陈晓妮能不能考上大学，暂时还是以礼相待的好，万一考上了，肯定是有大出息的，就算没考上，他们也没损失啥。想到这里，林瓷有些紧张的下了车，一颗心随着电梯上的显示屏数字七上八下。而母亲这里，她之前找了好几个看护都不满意，无奈之下只能将二姨叫来。手中的拖把掠过一间间独立的卫生隔间，来到最后一个个隔间里，这里，是放清洁工具的地方也是她工作空余时暂休的地方。
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