从今天到明天 Based on an unknown Schnberg opera from 1929,668小电影 From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man,从今天到明天 while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danile Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schnberg’s atonal score, performed here by 70 musicians. That Schnberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schnberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schnberg canon—and the film such a challenging and intriguing experience.她从床上坐起来,看着眼前熟悉的一切,这才发觉昨晚的一切不是梦。“这样的做法真的是影响太恶劣了,还请您给我做主啊,我对义安大学的校规还有原则底线时非常充满信心的,校长您一定要帮我!”这种东西不能够流落在外,否则就代表着自己的命随时可能不保,就不说刘小六会不会有一天失心疯的要杀自己,如果这东西落在别人手上了呢?随即,她的眉皱了起来,心中有些疑惑,买房的房主不是说今天就搬进去吗?难道许倾城还不知道那件事?
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