麦吉的农场5.4
类型： 最近更新 甘肃省 2024-05-07
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,嫩草嫩草嫩草草草草草草草草 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
反正也无聊，她打算数一数有多少正字了，“一，二，三，四……一百三十五，一百三十六……三百二十一……”详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,嫩草嫩草嫩草草草草草草草草 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
贾南凤也双膝一软，跪到了地上，痴傻的看着这个被她欺负了一辈子的皇帝。王易缓缓的倒了下去，胸口的血迹浸染了一大片白色的西服，看起来甚是惊心动魄。邵呈御的脸抽了抽“相信你？在你做了那样的事后，我又怎么可能再去相信你？”“此去一别，各生欢喜，愿君此后青霄直上，与陈冰言子孙满堂，白首不离。”
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