麦吉的农场8.9
类型： 国产电影 四川省 2024-05-10
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,四虎影院永久 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
“既然结亲的人都换了，那这15%的股份是不是该给月西比较好。”详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,四虎影院永久 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
有气质十足的美女服务员，还有性感暴露的荷官，总之这里就好像是一个天堂，又好像是一座深不见底的地狱。A市的早上永远都是汽车鸣笛人来车往的，一栋挨着一栋的大厦无不显示着这个城市的高傲繁华，而此时由一队警车开道的豪华车队却足以吸引了所有过路人艳羡的目光……从未受过委屈的女孩不敢吱声了，腿上痛得眼泪都流了出来我真的很疼，里面太紧了，出不来……电话那头沉默了一瞬，而后传来墨云深不耐催促“你到底想说什么？”
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