麦吉的农场8.8
类型： 动漫电影 宁夏回族自治区 2024-01-10
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,爱情岛播放线路二 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
“默然哥，不，不要，让我求求姐姐吧！这件事情千万不能告诉爸爸妈妈，要是告诉他们，我还有什么脸面活下去，我和孩子都活不成了……”详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,爱情岛播放线路二 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
屋内，慕言蹊透过房门，看着季临渊伫立的声影，哑声道“季临渊……”沈心还听见背后她们议论的声音，汪管家宽慰了两句，看得出汪健林在蒋家还是有一定分量的。众人侧目看去，就见一个穿着打扮都显得雍容华贵的贵妇正向着这个方向走来，她行走时娉娉婷婷，给人一种步步生莲的感觉。乔希挣扎不过那男人，狡黠的眼珠子一转，就回头问他“你想怎么对我不客气啊？”
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