法斯宾德：无索求地爱5.2
类型： 香港电影 福建省 2024-09-02
主演： 赖纳·维尔纳·法斯宾德 伊尔姆·赫尔曼 哈里·贝尔
导演： 未知
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,法斯宾德：无索求地爱 as well as a body of unique,嘘禁止想象 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
他们离开神石领域后，无一不是灰头土脸、摇头叹息不已，显然对自己倒数的表现极为不满，更加让他们不满的是，自己居然是在余量的前头被‘赶’了出来。详情
法斯宾德：无索求地爱
剧情简介
法斯宾德：无索求地爱
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,法斯宾德：无索求地爱 as well as a body of unique,嘘禁止想象 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
“苏念那种愚蠢又无聊的女人，我不过是在婚礼前激了她一下，她还真的逃婚了。”厉少衍挑了挑眉梢，车停在路口等绿灯，他侧头看着她，淡淡说“这民政局开的证是法律认可的，怎么还能有假？”“是的，小女及小女的弟妹在乔家过的生不如死，这点大人可以去崇乐村稍作询问就可知道，今天发生这样的事情，我们姐弟三人要是回了乔家必定是死路一条。”她刚在想着这样的事，身边不知不觉已经多了好几个男人，下意识的捂住自己的胸口，可那群人，竟然开始慢慢的将她包围了起来。
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