从今天到明天 Based on an unknown Schnberg opera from 1929,爱色吧导航 From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man,从今天到明天 while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danile Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schnberg’s atonal score, performed here by 70 musicians. That Schnberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schnberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schnberg canon—and the film such a challenging and intriguing experience.下了楼她才发现顾芷柔也妆扮好了,只是再厚的粉底也掩盖不住那个鲜红的掌印。“老了,不行了,这么点路就得歇会儿”一个年逾花甲的老头自言自语地说着,并将背上的薪柴放在了旁边的空地上,自己选了一处平整齐地坐了下来。什么,只是安静得微笑,微微福身“随儿给母亲请安,倒是打扰母亲休息了。”脸上挂起三分羞涩的笑意,恰到好处的温婉。我气急败坏,咬牙骂道,“霍渊!放了他!你放开他!都是我做的,是我要跟他走!我早就恶心透了你!”
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