法斯宾德：无索求地爱8.9
类型： 科幻电影 辽宁省 2024-02-15
主演： 赖纳·维尔纳·法斯宾德 伊尔姆·赫尔曼 哈里·贝尔
导演： 未知
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,金瓶瓶之爱的性奴2 as well as a body of unique,法斯宾德：无索求地爱 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
趁放PPT的空隙，他悄悄对顾远骁努了努嘴“瞧那边，有个打瞌睡的。”详情
法斯宾德：无索求地爱
剧情简介
法斯宾德：无索求地爱
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,金瓶瓶之爱的性奴2 as well as a body of unique,法斯宾德：无索求地爱 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
“是落羽他们。”宇文染指了指地上的那些横七竖八的尸体说道。洪老稍稍诧异了一分，轻声叹道“倒是不出意外，你这根骨虽差，可用了苏芷萱赏赐的那么多丹药，突破也算正常。”“季老师！”裴子枢看着前方的季云笙眼睛一亮，已经拉着白夏微跑过去。听着手机里传来嘈杂的人潮声，栗枝还没开口，就听到栗母说“胡了胡了，赶紧给钱！”
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