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麦吉的农场7.8

类型: 香港电影  浙江省  2024-08-26

主演: 未知

导演: 未知

A portrait of an art institution as a cinematic landscape: in a succession of static shots,协和影院伦理片 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.

啤酒瓶子碎了满地,顾冬凝只觉得自己的手腕废了一样,疼的她连叫的力气都没有。详情

麦吉的农场

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剧情简介

麦吉的农场 

A portrait of an art institution as a cinematic landscape: in a succession of static shots,协和影院伦理片 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.

方清心脏狂跳,看着突兀出现在眼前的一条三爪青龙,直接开口问道!姜婉儿怔怔望了许久,忽然想起一句老话“命里有时终须有,命里无时莫强求。”北月寒话还没有说完,那边乌央乌央出来一群男孩子,都是斐野篮球队的兄弟们。明轩庭看了她一会,闷闷的笑开“我给你做,你先去洗澡换身衣服。”

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