一切安好 Amegalithrisesfromasandydesert–orrather,腐仙ascalemodelofsuchalandscape.“Iamthearchive”,一切安好saysayoungfemalevoicewhileominousstringmusicnailsviewerstotheirseats.ThisopeningsetsthestageforthenarrativeandfigurativelanguageofRithyPanh’sdensemnemonicessaywhichusesstunningdioramastotellatwenty-firstcenturydystopianstory.Afteracenturyofgenocidalideologiesanddestructivespeciesism,animalshaveenslavedhumansandtakenovertheworld.Inawaveofhope,thestatuesofthepasthavebeenremovedbutnewonesarebeingerectedtosuppressthewillofthepeople.Thisisnowaplanetofapes,boarsandlions,andazoologicalrevolutionisreversingandrecreatingtheatrocitiesofthe20thcentury.Asanimalfigureswatchthefilmarchivesofourworld,itfeelsasifLumirehasbeentransportedintoafilmbyMlisorWillisH.O’Brien.Weareallwellawarethathistoryrepeatsitselffirstastragedy,thenasafarce.Thetimehasnowcomeforthisfarce,inwhich“politicallanguageinhabitsourdreamsandconsumesus”,toallowthepossibilityofa“gracefulandtenderinsubordination”toemerge.“是你自己不生孩子,你为了事业,不要孩子,我迁就你,现在我只是让你迁就我一下,你为什么就是不肯?”当解决完这一切之后,周振已经变得透明的鬼魂朝着我的方向笑了笑,示意我向着周婆婆的方向走去,然后整个身体便这样消失在空气之中。“我知道你是看眠眠优雅好看,符合了你心目中对于女儿的期盼,但眼下情况特殊……以后不管如何,咱们多给眠眠打些钱,保证她生活富足,你看怎么样?”她在现代的时候父母死的早,后来更是连唯一的弟弟也离她而去。
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