漫长的告别1971 It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the Long Good Bye she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,漫长的告别1971and,2024理论 again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for (c)易凉恬死死咬着唇没说话,直接下车从后备箱中将笨重的行李箱拖出来,然后头也不回地朝着小区大门走去。分明是早就在附近等候,暗中吩咐下人盯着自己的动静,制造出这么一个不期而遇。在一众损友同学看来就格外滑稽了,被霸王龙撵着跑,被翼龙抓着飞,甚至被剑龙宝宝当成了妈。阮予黑着眼圈,无奈地看着她“你想多了,他喝了杯茶就走了......别吵我,我还想再睡会儿。”
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