法斯宾德：无索求地爱7.8
类型： 喜剧电影 江西省 2024-08-01
主演： 赖纳·维尔纳·法斯宾德 伊尔姆·赫尔曼 哈里·贝尔
导演： 未知
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,法斯宾德：无索求地爱 as well as a body of unique,我可以稍微放进你里面吗校园版 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
夏星星见他一而再再而三的否定自己，强压下心里翻涌的愤慨“我没有冲动，这是我爸和我妈的梦想，也是我的梦想，我不想放弃！”详情
法斯宾德：无索求地爱
剧情简介
法斯宾德：无索求地爱
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,法斯宾德：无索求地爱 as well as a body of unique,我可以稍微放进你里面吗校园版 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
沈悠然攥紧裙摆，反问了一句“妈，我不想再季家待下去了，我想回家，可以吗？”“恩，他就在接待厅。”刘倩从身后拿出文件夹递给女孩，“他的档案我已经整理好了。”这副胸有成竹，淡然中透出无比自信的样子，与昔日寄人篱下的颓废大相径庭，隐约透出刚想到这里，陨石盒子里就爬出了一只穿山甲，接着就是第二只，第三只……
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