魔鬼的陷阱 InthetimeofCounter-Reformation,免费50款禁用黄台网站入口amillerandhissoncomeunderinvestigationbyapriestoftheInquisition,魔鬼的陷阱whenrumorsspreadthattheirprosperitycomesfromworkingwiththeDevil.TheDevil’sTrapisafilmdirectedbyFrantiekVl?il,basedonanovelbyAlfrdTechnik,adaptedbyFrantiekA.DvorkandMiloKratochvl.ItwasthefirstofthreehistoricaldramasthatVl?ilmadeduringtheCzechNewWave(technicallyheisn’treallyapartoftheNewWave,howeverthesefilmsweremadeduringthesameeraofartisticfreedom),precedinghismorewellknownMarketaLazarov(1967)andValleyoftheBees(1968).Setinthelate16thCenturyduringtheCatholicReformation,intheMoravianKarst,situatedinwhatisnowtheEasternCzechRepublic,ittellsthetaleofamiller(VtezslavVejrazka),andhissonJan(VtOlmer),whocomeundersuspicionandareinvestigatedbyaJesuitpriestoftheInquisition(MiroslavMachchek),whenrumorsofwitchcraftarespreadbythelocalregent(CestmrRanda),whoisjealousofthemiller’sprosperityanddegreeofrespectamongthelocalpopulace.AsexpectedfromVl?il,thisfilmisastunningexperienceallthewaythrough.Fromtheopeningshot,anominousmanipulationofperspectivewithacloseupofamangledfigureofChristdominatingtheforegroundagainstatinyfigureinblackwalkingalongthehorizon,tothebreathtakingconfrontationalfinaleinsidethevaststalactitefilledKarstcaverns,itisawonderfuldisplayofvisualmastery.MaybenotquiteasimpressiveasMarketaLazarov,butstillfullofastonishingimagery.Asseenfromuniqueanglesanddistinctpointsofviewwhichhighlightthedirector’sremarkablesenseofawarenessofframing,motion,andpositioningontheemotionalanddramatictoneofthescene.Themostmemorablebeingarepeatedshotwherethecameraissuspendedandlaunchedwithspeedthroughtheairtowardsthemiller’sdoor.ThestoryhereisasimpleoneandIwouldsaymoreaccessiblethanhislaterworks.Withaconventionalstructureemphasizedasmuchbyitsplotandcharacters,thanbyitsexpressionisticcinematographyorauthentichistoricaldetail.Theeventsplayoutwithoutmuchsurprise,andthereisastrongunderlying,almostsupernatural,mysteriousaspectthatisleftunresolved,infactbarelyexplored,whichisslightlydisappointing,butonlybecauseit’ssofascinatingthatIwishtherewasmore.Actingisgreatallaround.Particularlythevillains:MiroslavMachchekasthepriest,castingasinisterandimposingshadowwhereverhegoes,andCestmrRandaastheweasellikeregentbehindallthepersecution.WhileVtOlmerbringsacharismaticleadingmanpresenceinhisroleasthemiller’ssonJan,inlovewiththelovelyorphangirlMartina(KarlaChadimov),whobecomesadangerousobjectofrivalrybetweenJanandotheryoungmenofthevillage.ThefilmalsofeaturestheevocativemusicofZden?kLika(perhapsthemostprolificcomposeroftheCzechNewWave).InthishissecondofelevencollaborationswithVl?il,hiscompositionsareusedsparingly,buttogreateffect,complimentingbutneveroverpoweringascene.Thebestexampleofwhichcanbeheardinanamazinglyshotcelebrationanddancesequenceattheendofthesecondact.TheDevil’sTrapmightnotbeamasterpiece,butitisstillastrongeffort,withafascinatingstraightforwardstoryandaglorioushistoricalsettingcapturedbeautifullybyVl?il’sunmistakablevisualprowess.AfineworkthatwouldalsobetheperfectstarterplatetoprepareyourselfforthechallengingfeastofMarketaLazarovorTheValleyoftheBees.Itevenhasaneasytodigestrunningtime.It’sthereforepuzzlingwhythisgemremainslargelyoverlookedandignored.那是个穿着校服的小女孩,十二三岁左右,脸颊上带着几滴晶莹的汗珠,一双乌黑的大眼睛正担忧的注视着少年,纯粹而简单。苏薇薇在薛家的大厅内大摇大摆的坐着喝咖啡,整个人红光满面。肌肤相贴,这触感,温香软玉,纵享丝滑。竺可桢正暗自感叹着,忽然感到背后一凉,转脸对上一道极具威压的死亡视线,吓得她立马撤了手。谁也不知道严御来自哪里,他就这样横空出世,成为朱雀国最强的男人,连皇上都要避其锋芒,生怕走上先帝的后路。
Copyright © 2014-2024