从今天到明天 Based on an unknown Schnberg opera from 1929,金瓶梅原著电视剧1 From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man,从今天到明天 while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danile Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schnberg’s atonal score, performed here by 70 musicians. That Schnberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schnberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schnberg canon—and the film such a challenging and intriguing experience.可他不知道,早知今日何必当初,如今的赫连灵犀已经不是曾经那个乖巧受欺负的女孩子了。“呵,被小看也是一种不一样的体验。扮猪吃老虎什么的,好像还没有玩过。”听到身后传来动静,沈白莲整理好了情绪,转头还没来得及开口,便看到了跟随着管家一块下楼,穿着一条粉色丝绸睡衣的叶泠夕。而顾年看都不再看她一眼,骑上骏马的身子顿了顿,一字一句的说道“将前朝公主慕容尘烟,一并带
Copyright © 2014-2024