牛头怪 Acclaimed Mexican-Canadian auteur Nicols Pereda returns to the Festival with Minotaur,女朋友的母亲2中语字追剧易爸爸 a pendant to his 2009 feature Juntos. Shot in the Mexico City apartment of Pereda’s signature actor Gabino Rodrguez,牛头怪 Minotaur is an incandescent chamber piece that observes three thirtysomethings (Rodrguez, Luisa Pardo and Francisco Barreiro) as they sleep, dream, read, and receive visitors (including the housekeeper who takes care of them) in their communal space. A lovely and lethargic spell is cast as an ambiguous, Marienbad-like love triangle emerges among the trio, conveyed through literature (books function as telepathic transmitters and definers of relationships), choreography, and the acute physical presence of the three leads. Extending Pereda’s recurring interests in class, social structure and family relations in Mexican society in its wraithlike fantasy of a leisure class that is quite literally sustained in its narcoleptic existence by the ministrations of the domestic help, Minotaur evokes the films of Tsai Ming-liang in its distended naturalism, ritualistic solitude, and creation of a cloistered world suffused with longing. The surreal aura of Minotaur seeps beyond the confines of the trio’s apartment into a strange "night without distance" in Lois Patio’s hallucinatory portrait of border smuggling in the Gers Mountains between Portugal and Galicia. Casting real townsfolk, some of whom were smugglers in their youth, Patio places their stiffly Straubian presences within cross-processed, multilayered tableaux of rocks, river, and trees — an ever-indeterminate place that has imbibed and borne witness to innumerable, desperate acts of survival. Conjuring an instant in the memory of a landscape filled with ghosts, Night without distance extracts spellbinding fantasy from the real.事情是什么样的那几个警察也清楚,说了句‘回去好好休息’就放我们走了。顾香晴和顾阿姨因为家里有事她们就回家了。罗云左手抓着王大明,鼻子吸了几下,右手手掌在鼻子前面用力扇动“挖槽你的脚好臭,是不是好几天没洗了。看你穿的白白净净的,没想到这么不讲卫生。”安墨看着噙着清浅笑意的夏辰溪,她用手摩挲着下颚,如果没看错的话,若宁那一顿明显带着惊慌。望着墓碑上聪聪生动的笑颜,“沈洵,是不是跪到你满意,你就会放过俞家?”她眼神空洞,如同灵魂被人抽走。
Copyright © 2014-2024