麦吉的农场8.1
类型： 国产电影 福建省 2024-12-06
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,魅力研习社第160期 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
想到这里，叶重再也坐不住了，猛地站了起来，就算是他对自己的处境再不在乎，但是关乎自己生死的事情，叶重是绝对不能忽视的，因为他这条命还有很重要的事情要做呢。详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,魅力研习社第160期 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
我倒下的那一刻，老公冲过来接住了我，使我没有摔倒在地上。低头看了眼手上的蛋糕，夏清欢淡淡一笑，心道不过一个夏安研而已，野草罢了，生命力再强劲，也摆脱不了被拔掉的命运。大约正是晚饭时间，厨房里的人忙的热火朝天，见她进来，俱是一愣。它说让余又寒接受任务，余又寒不喜欢它诋毁妈妈，所以完全不理它。
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