类型: 热播排行 澳门特别行政区 2024-06-13
主演: 维克多·崔 Marina Smirnova 彼得·
导演: 未知
In the bleak filmscape of glasnost,针 The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period,公用小荡货芊芊 it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having come from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has come to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, compensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), becoming a drug addict and himself becoming involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
“唉,”路凌帆叹了口气,“少书兄,这又是何故呢,你我往日无怨,近日无仇,却又是何故将我拦阻于这市井大街之上,身后还带着那么多面相凶悍的野狗。”详情针
In the bleak filmscape of glasnost,针 The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period,公用小荡货芊芊 it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having come from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has come to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, compensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), becoming a drug addict and himself becoming involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
“快点!都给老子出来!都别磨蹭!耽搁了时间老子剁了你们的腿!”狱卒一个个都凶神恶煞,也不知发生了什么,突然间将数个牢房中的女子全部都叫了出去。结果当然是在赵得三的预料之中,张晓燕笑着婉言托词说两个人不方便如何。屏退左右后,他慢步走到上官夭夭身后,手指轻柔的替她梳发“夭儿,嫁去王府,爹不求别的,只求你能与王爷举案齐眉,安度余生……”于是,在帝凌天走进嘟嘟的房间,就听见“宝贝,你也太可爱了吧”的赞叹,不禁脸色微黑。Copyright © 2014-2024