莱奥诺拉的告别 ThreeyearsafterthelossofhisbrotherVittorio,家里没人你用点力好好快withwhomhesharedhisentirecareer,莱奥诺拉的告别PaoloTavianireturnstotheworksofLuigiPirandello,whichthepairadaptedin1984(Chaos)and1998(YouLaugh).InkeepingwiththeSicilianplaywright’svision,thefilmisnotatallwhatitappearstobe.Thetitlemaycomefroma1910novella,butthereisnotraceofthatbook’sjealousy-riddledplot.Instead,thefocusisonPirandellohimself,orrather,hisashes,whicharetransportedfromahastyburialsiteinfascistRometoapermanentrestingplaceinSicily,onatrekthattakesusthroughpost-warItalyanditsfilmedmemories,asseeninnewsreels,amateurfilmsandfragmentsofNeorealism.Havingburiedthemaster,Leonoraaddiothenshiftsgearfromroadmovietofilmadaptation,buthereitpicksadifferentPirandellostory,namelythelastone,writtenshortlybeforehisdeathin1936.Fromthefarewellofthetitletoitsreturntothewriter’slastwords,itishardnottoreadthiswork,sofreeandyetsomuchapartoftheTavianiworld,asamovingbrotherlyfarewellwhich,justasin2012’sGoldenBearwinnerCaesarMustDie,onceagainusescinematogivevoicetoliteratureandhistory.害怕那人追上来,她失控地拉上门,拔着嗓子催促司机“快,开车。”“你的仇我会替你报,但现在,你也要为你害死的那几条人命去赎罪了。”金色帷幔低垂,镶金屏风铺展,桌子上金色香炉烟雾袅袅,连靠窗那只琉璃花瓶也是一模一样的!杏黄的灯火下,一切显得那么安静,殷小虎呆若木鸡地站着。突地,被人一把揪住了耳朵“快陪我去地里玩,我要捉蛤蟆去!”
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