法斯宾德：无索求地爱6.5
类型： 美国电影 湖北省 2024-03-26
主演： 赖纳·维尔纳·法斯宾德 伊尔姆·赫尔曼 哈里·贝尔
导演： 未知
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,伊人ww2233开心网 as well as a body of unique,法斯宾德：无索求地爱 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
“哼，我就是个全才。想当年我可是七中的学霸呢。”我扳着手指跟他炫耀我得的奖。详情
法斯宾德：无索求地爱
剧情简介
法斯宾德：无索求地爱
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,伊人ww2233开心网 as well as a body of unique,法斯宾德：无索求地爱 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
苏桀然犀利的扫向小优，腥红的血丝在他的眼中蔓延，射出来的都是冰针，可以把人千刀万剐。要知道，平时纪如沁对她们这些仆人很友好的。对唐运，反而不假辞色！仙宫六十四阵，杜风宸已经领悟了六十阵，还有四种阵法没有领悟。不是太难，而是古书之上根本就没有阵法缩影图，需要闭目沉神，晋入意动的海洋，以意识读取阵法。他就那样静静地站着，双手扶在购物车上，挺拔的身姿跟周围的人格格不入，明明被淹没在人群之中，却意外的耀眼……
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