麦吉的农场7.9
类型： 科幻电影 湖南省 2024-06-22
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,圣果的甜头 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
张东刚刚踹开房门，赵明海爬起来一声大骂，陡然间奔着张东冲了过去，屋里面的赵富贵一开始听张东来了，顿时有些意外，张东不是被自己捅伤了吗？不是昨天晚上去医院了吗？详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,圣果的甜头 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
“这不是婧婧吗，她怎么在这里，难道是知道我要请她在这里过生日？”沈南山疑惑道。“你没事吧？”邬辛夷听到那几个人的声音就在后面不远处，正心中焦急，却听到一个万分熟悉的声音。这天晚上，尹若薇又被这群变得过分热情的同事拉着一起去逛街吃宵夜，等到了家里，已是接近凌晨。贺兰音音走过来，看她们还在说，便问“因为什么事？你们在这争吵？”
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