麦吉的农场7.7
类型： 动作电影 新疆维吾尔自治区 2024-01-02
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,莫陌2微电影 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
「你看啊，这里面好像有字哎，而且从圆圈的正中央，一滩血液似的东西，一直引导到了门把手上。」详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,莫陌2微电影 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
咬咬唇，她将手里钞票全部放在了旁边的床头柜上，然后回头看了看那边的浴室，里面人似乎还没有忙完。“叫我容太太！”顾时初打断他的话，眼眸是狠厉中带着警告的。“那咱大孙咋又昏了？”朱元璋拽着太医的领子怒道，“方才醒来还胡言乱语，要什么六号？六号是啥？”“金朵儿，你知道么？我恨你，从我看见你的第一天起，我就恨你！
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