多摩蘭坂7.6
类型： 科幻电影 贵州省 2024-12-22
主演： 未知
导演： 未知
A whole film built around a single word: “Tamaran!” The first time we hear it is when Hinako’s father fulminates on the phone against a typhoon: “Tamaran!”,小东西这才一根而已还有呢 “unbearable!”. The word appears for the second time in the title of a book that a bookseller gives to a student who wants to read about “hometowns”: Tamaran Hill. The adjective has become a proper noun,多摩蘭坂 both “really evocative and profound”, according to the bookseller. On the platform and then on the train that takes her back home, Hinako reads. The reading immediately starts to reflect her own life, sentences lead her back to her origins, to the past of her family, to her sorrows. Relating and representing this reflection through a bouncing game between sentences and shots – such is the challenge of the film, which is taken up through the most generous, bold and rigorous type of plastic and narrative inventiveness. Words are brought to life, the past is revived with a pencil in the whiteness that brings together image and page, and that turns one into the other. How do you go from a single word to a film? Through a book and its reading, then; but also, through the series of books in which Hinako tracks down the word “tamaran” and its polysemy. The Japanese novel Tamaran Hill inspired Tadasuke Kotani’s film. Its author, Seiji Kuroi, makes an appearance, as a writer who confides his guiding principle to the student: “characters are made of words. Words have their own vitality, warmth and power. Characters arise from the actions of such words.” Because Kotani has dared taking the writer to his word, the film is far from a mere literary adaptation – it is a madly ambitious and fully mastered attempt to translate literature into film. Because “translation is a form” (W. Benjamin), and Tamaran Hill’s director belongs to the rare species of the true inventors of form. His invention? An action film whose hero is a word. (C.N.)
午休她就喜欢偷偷拿出MP3把一只耳机塞在校服袖子偷偷听歌。“你在干什么？”江文泽放下笔歪着头看她。详情
多摩蘭坂
剧情简介
多摩蘭坂
A whole film built around a single word: “Tamaran!” The first time we hear it is when Hinako’s father fulminates on the phone against a typhoon: “Tamaran!”,小东西这才一根而已还有呢 “unbearable!”. The word appears for the second time in the title of a book that a bookseller gives to a student who wants to read about “hometowns”: Tamaran Hill. The adjective has become a proper noun,多摩蘭坂 both “really evocative and profound”, according to the bookseller. On the platform and then on the train that takes her back home, Hinako reads. The reading immediately starts to reflect her own life, sentences lead her back to her origins, to the past of her family, to her sorrows. Relating and representing this reflection through a bouncing game between sentences and shots – such is the challenge of the film, which is taken up through the most generous, bold and rigorous type of plastic and narrative inventiveness. Words are brought to life, the past is revived with a pencil in the whiteness that brings together image and page, and that turns one into the other. How do you go from a single word to a film? Through a book and its reading, then; but also, through the series of books in which Hinako tracks down the word “tamaran” and its polysemy. The Japanese novel Tamaran Hill inspired Tadasuke Kotani’s film. Its author, Seiji Kuroi, makes an appearance, as a writer who confides his guiding principle to the student: “characters are made of words. Words have their own vitality, warmth and power. Characters arise from the actions of such words.” Because Kotani has dared taking the writer to his word, the film is far from a mere literary adaptation – it is a madly ambitious and fully mastered attempt to translate literature into film. Because “translation is a form” (W. Benjamin), and Tamaran Hill’s director belongs to the rare species of the true inventors of form. His invention? An action film whose hero is a word. (C.N.)
六年里，因为洪坤和其余八个人的对话，第十八层监狱里原本互不认识的的八个犯人也变得很熟识了，而另外三十二枚铁钉却以某种特殊的手法，避过了密密麻麻的监控设备，默契地聚集到了洪坤的手里。我看到了之后猥琐一笑，就根本没听她，按的更加频发了，洛宁发出求饶的表情，我问她流水了没？她回答说，早就流了，叫我放过她。这一定是一个局，一切都是苏文有意为之，只能用世外高人来解释它的存在，之前的示弱都是装出来的。甚至现在，他还是隐藏着实力。一切真的只发生在短短的几分钟之内，待众多看热闹的人群散尽后，那首抒情的圆舞曲刚刚响至尾声，她想，她真的错过一支华丽的双人舞。
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