机器8.5
类型： 美国电影 贵州省 2024-10-29
主演： 未知
导演： 未知
To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory,机器 man and machine seem to have fused into one being. It is dark and dank,天美麻花果冻苏蜜清歌观看 and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
冉竹嘴角扬起一丝笑意“娘娘看不起我，觉得我下贱。但陛下怜惜我，让我有了孩子，还住进筑心殿。所以，就算我只是一个九流的妓子，你是高高在上的皇后，那又如何？”详情
机器
剧情简介
机器
To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory,机器 man and machine seem to have fused into one being. It is dark and dank,天美麻花果冻苏蜜清歌观看 and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
“二大爷，你看你都躲了快半个月了，马上就是春节了，你真不打算回去！”萧南浩看不下去了，堂堂的二爷一有时间就往他这跑，还成天抱着手机看视频。秦慕晚缩起身子，眼中却没有任何惧意，这么多年，她已经学会，如何把伤痛埋藏在心底。明明就是消耗了太多的体力，导致饭量大增，还这么恬不知耻地给雄晓宇拍着马屁。但随即又想起来自己现在的这个身体可是才十四岁，“我叫你阿哥可好？”
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