类型: 美国电影 陕西省 2024-07-05
主演: 未知
导演: 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,不限制尺寸大小的直播平台 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
方才心宁所读的无上古诗,以及那具超越了禁忌之禁忌的“旱的旱死,涝的涝死”,并没有让她消亡……详情麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,不限制尺寸大小的直播平台 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
南宫紫月转身,旋开的衣裙被风带起,白色如蝶,裹着曼妙的身子,再度让南宫嫣然的双眸布上一层妒忌的血红。她由心而生出一种恐惧,全身发凉,“佟安好,你这是什么意思?!”彦凝又羞又急,只是奋力挣扎。哪知道,他一个用力,她身衬衫的扣子被绷了开来。宋池淼也是第一次见到这么多血,一时不知所措,过了很久才把第二刀挥向宋池渝。Copyright © 2014-2024