巴黎夜旅人 Paris,色无月 1981. The winds of change are blowing on election night and the French storm the streets,巴黎夜旅人 elated. But lisabeth (Charlotte Gainsbourg) struggles to share the general mood of optimism. Her marriage is coming to an end and she will now have to support her family. She is distraught, and her father and teenage children are worried that her tears simply will not dry. But what if listening to her emotions could help her to start filling the blank page of her future? What if she were to write a letter on a whim to the host of her favourite radio programme? Or invite a homeless girl into her house? What would happen if she were to make the kind of gestures that actually change lives? In this follow-up to the beautiful Amanda, Mikhal Hers directs his hypersensitive gaze at the 1980s and the seemingly mundane moments in one family’s life that shape indelible memories. A large number of characters populates this nostalgic saga of self-invention. The director honours their vulnerability and kindness in a way that stands out in a cinematic landscape more often fascinated by disillusioned antiheroes. This is film at its most profoundly intimate and mesmerising, the kind that, when we reflect on how we function as a society, gives us an idea of why love matters.顾念火起,瞪着黑白分明的大眼,拉扯的力度加大,“先森,你踩了我的小雨衣!”姚映夕挣扎着坐起身,看了看四周,是一个十多平米除了一张床就什么都没有的屋子。年轻男子大喜过望的对身边那个留着山羊胡的中年男人道“爹,是个男孩,给起个名字吧!”电梯口,马老板远远的看着收费处,摇头道“看来我是多虑了!”
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