麦吉的农场6.3
类型： 爱情电影 吉林省 2024-04-06
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,差差漫画页面免费入口欢迎你 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
“为了一个不爱自己的男人，没必要伤心，昨晚的事情，我会负责。”详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,差差漫画页面免费入口欢迎你 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
“拉倒吧我们龙谷的那些老家伙都还没有捞着成仙别说我们了更不能指望那些低等法力的人族了！”银色巨龙叹息道。是的，a级，你们到底要不要，不要我找别人！秦如风一把夺过电话，冲里面吼道。陆崇光边走边说，“我一定会成功将你救出去的，因为……”他后面的话说得声音很小，苏颜还没来得及听见的话，就这样吹散在风里。沈朝寒缓缓抬起了眼皮，居高临下的盯着浑身发抖的学长，漫不经心的开口“你声音真难听！”
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