麦吉的农场5.7
类型： 电视剧 江苏省 2024-07-09
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,4433在线影院 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
随后，她将锅在灶台火焰中上下移动，肥胖粗大的手指翻动锅铲，竟优美得仿佛在琴键上舞蹈！详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,4433在线影院 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
“这是旅游时妈给我求的佛牌，你意思是妈想要害我这个女儿了？”“那好吧。”大江可真是个会吹彩虹屁的机灵鬼！乔乔感觉自己如果再拒绝，都不好意思了。秦云璋轻笑着，抬手勾起她的下巴，陆锦棠一抖，挥手将花瓶轮向他脑壳。温晓敏停下来，狐疑的看着秦无歌手里的瓷罐，毕竟每个女孩都是爱美的。
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