麦吉的农场5.3
类型： 动漫电影 河南省 2024-05-25
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,免费wwwxx视频在线观看 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
本来叶潭墨想让温峥闭嘴退下，但不知为何，一看到他得意洋洋的样子，就想听他继续说下去，看他能说出什么来。详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,免费wwwxx视频在线观看 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
楚云整理着她的头发，柔声道“很急吗？要是不急，先陪我回老宅吃饭。”简单的一句话让蓝可卿知道，他没有认出她，甚至是，他从来都没有记得七年前那晚的女子。肯定是因为我太害怕他了，听着他的这句话，我的心又跳得快了两下。我怕万一父母回家，就给他们留了字条，说好心人替我治好病，我要去安全营地找他们。
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