麦吉的农场8.5
类型： 最近更新 香港特别行政区 2024-10-22
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,龙泽罗拉迅雷种子 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
走到半路，他回眸看了一眼风雪中毫不起眼，被大雪覆盖的破庙，眸色沉了沉，坚定的踏入纷飞大雪之中。详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,龙泽罗拉迅雷种子 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
的嫉妒和痛恨翻江倒海，故意大声道“有什么好得意的，不过是个乡巴佬，还能飞上枝头变凤凰？” 难以置信的是，这只笛子的一头还有一个深紫色的坠子。那坠子精致而美丽。昨天夏南笙出嫁之后，夏珍儿与何子舟通奸之事闹得满城风雨。而他们不知，这五辆车上坐着的人，正是世界上各个行业的龙头大佬，集五人之力足以撼动整个世界。
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